Abstract

The idea of “fashion” as being a characteristic of Australian culture is frequently regarded as a non sequitur. Fashion is seen as belonging to far-flung cosmopolitan sites elsewhere while Australia is a far-flung site cut off from the trappings of civilization. Equally, Australia has long been regarded as being cut off from the “finer things” of civility, fashion, and good taste. At best, an Australian sense of style is regarded as anything that is practical, informal, and casual—T-shirts, practical footwear, moleskin trousers, and wide-brim hats; as an outfit thrown together without much thought. And yet, there has been an abiding interest in fashion since European settlement in Australia, even in the early days of the convict colony. One recurring element of this fascination with fashion is what it means to speak of distinctively “Australian” fashion as opposed to derivative styles copied from elsewhere. Does it make sense to imagine such a thing? Moreover, if there is such a phenomenon as Australian fashion, when does fashion and dress practice in Australia become un-Australian? This question lies at the heart of this article.

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