Abstract

Critics of the “Orlando furioso” have analyzed at length the poem's darker veins, lying just beneath its ostensibly sunny surface, where Ariosto comments on the violence and political, intellectual, and religious upheavals of the early sixteenth century, often through allegory and irony. Readers have also noted the text's meticulously curated geography that lends to the story world of the “Furioso” extraordinary breadth of scale and specificity of detail. This study identifies the poem's geography as an important locus of irony, both in service to larger allegorical programs and as a means of remarking on the contemporary revolution in geographic knowledge and cartographic practice.

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