Abstract
Drawing upon ethnographic and historical research, this article explores the performance of Irish rebel songs among former members of the GDR folk-scene (1976–1990). It proposes that the political and nostalgic alignment of East German revivalists with folk songs in which Irishness is inscribed as a longue durée of oppression and anti-colonial rebellion constitutes a powerful discourse that has recursively shaped performance practices. The article argues that this top-down imaginary, circulated through popular culture, could be harnessed by GDR artists from the bottom up. Simultaneously, this adaptation of Irish Republican leanings resonated with the official socialist rhetoric of anti-imperialist resistance.
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