Abstract

In the literature on inter-limb coordination, the coordination among ‘‘focal’’ body parts (i.e., the two limbs) directly engaged in a pendulum swinging task has been studied by immobilizing other body parts to reduce “noise,” while putting aside questions of how one maintains posture while performing the task. However, in practical performance of musical instruments, for example, performers must coordinate different body parts in sync with the music while maintaining the whole body’s balance. This study demonstrates the effectiveness and necessity of understanding inter-limb coordination in whole-body coordination. Participants were asked to move two pendulums either in sync or alternatively with metronome beeps under two conditions: immobile (fixed forearms) and mobile (forearms not fixed). The explorative analyses focused on whether and how coordinative structures emerged and whether the degree of task achievement differed according to the phase mode, frequency, and mobility conditions. The motion similarity and phase difference between different parts and the pendulums showed that task-specific coordinative structures emerged in both immobile and mobile conditions. In the in-phase mobile condition, the emergent coordinative structure may have improved task achievement, shown by the phase difference between the left and right pendulums. These findings suggest that the global coordinative structure is involved in achieving the local pendulum swinging task.

Highlights

  • In the performance of a musical instrument, dance, etc., performers are required to coordinate different body parts in sync with the rhythm of the music while simultaneously controlling posture to maintain the balance of the whole body

  • We put the results into perspective and discuss whether and how global coordinative structures emerged under the conditions set in this study

  • In the immobile condition, in comparison with the mobile condition, the following were found: regardless of the phase mode, all of the body parts, except for shoulders in the anti-phase condition, exhibited a higher degree of motion similarity with the right pendulum (Figs 2 and 3; Tables 1 and 2), and the frequency-dependent phase difference changes were shown to be smaller for the body parts in the vicinity of the pendulum

Read more

Summary

Introduction

In the performance of a musical instrument, dance, etc., performers are required to coordinate different body parts in sync with the rhythm of the music while simultaneously controlling posture to maintain the balance of the whole body. In drum playing, wherein one beats the instruments by using sticks in both hands and kicking the foot pedals, a skilled drummer employs the whole body, including the head and trunk. Such control in musical performance has been studied while concentrating on “focal” inter-limb coordination in the framework of the dynamical systems approach (DSA).

Methods
Results
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call