Invoking affect in Kawakami Mieko's Chihi to ran (Breasts and Eggs, 2008): Higuchi Ichiyô, playful words and ludic gestures

Abstract

A slim and yet powerful novella, Chichi to ran (Breasts and Eggs, 2008) helped the author, Kawakami Mieko, launch her career in the Japanese literary establishment by winning her the Akutagawa prize. The novella revolves around a middle-aged single-mother, struggling to eke out a living for herself and her teenage daughter as a bar hostess in Osaka. The bond between them is severely tested under the pressure of the precarious living conditions in the post-bubble, neo-liberalist Japan of the 2000s. This essay explores the absorbing and affective aspect of the novella by drawing on Rita Felski's ‘positive aesthetics’ and Bruno Latour's concept of ‘nonhuman actors’. With a focus on the movement of affect/feelings, the analysis traces how ‘non-human actors’ of all kinds and shapes in the novella, from the female characters, chatty style of speech in Osaka dialect, the kanji used in them, the protagonist's obsession with breasts, images of Higuchi Ichiyô, to a carton of eggs, interact and connect in a way that make a difference, facilitating innovative life-adjustments as the narrative unfolds – the reading which should, in turn, enhance our understanding and appreciation of the text.