Abstract
In 2008, Globe and Mail theatre critic J. Kelly Nestruck made a significant remark about Canadian theatre and the War on Terror, noting a clear absence of stage plays that addressed Canada’s participation. There was, however, a long-running CBC radio drama series, Afghanada, which centred fully on the experiences of Canadian soldiers in Afghanistan. Because relatively little research has yet to be published about the radio series, Lindsay Thistle details Afghanada’s production history, major players, creative processes and goals. She also considers how the radio medium affected the objectives of the series and its ability to represent war, ultimately arguing that Afghanada was inescapably politicized throughitsrelationship with national institutions, its interest in realistic and true-to-life stories, its focus on everyday soldiers, its casting choices and its inclusion of post-traumatic stress disorder. Throughout this investigation, Thistle raises important questions about the politics of dramatizing war while Canada itself was at war. She concludes by observing that while Afghanada avoids an explicit message in support of or against the Canada’s involvement in the War on Terror, it engaged with the political from its inception, through its creation, and in its reception.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.