Abstract
La literatura lírica de Irán y sus elementos han atraído las atenciones de los poetas literarios iraníes desde hace mucho tiempo, de tal manera que se han manifestado en la mayoría de las obras de arte, incluso con temas épicos y teosóficos, así como en la literatura de resistencia y constancia. Los poemas de la defensa sagrada son las representaciones del pensamiento y el sentimiento de Irán en una época de su historia cuyos aspectos emocionales y afectivos son de gran importancia cultural. En este sentido, el presente estudio intenta investigar los indicadores de la literatura lírica en los poemas de literatura de resistencia de tres poetas prominentes en esta área, a saber, Ali Mo’allem Damghani, Qaisar Aminpour y Ali Reza Qazveh. El método de estudio de esta investigación es descriptivo-analítico y el método de recolección de datos es la investigación bibliográfica basada en el análisis de contenido. Los elementos líricos de los poemas previstos son el amor, el patriotismo, la espera, la tanatopsis y el martirio, y la atención a las emociones y sentimientos de los santos poetas de defensa en los años posteriores, entre otros. Los resultados y hallazgos del estudio significaron que los elementos de la literatura lírica presentan aspectos de eslogan y que se han manifestado notablemente en la literatura de defensa sagrada en el área de las composiciones de los poetas estudiados y también que estos tres poetas han podido exhibir muchas manifestaciones del sentimiento poético en sus poemas sobre la guerra impuesta.
Highlights
When talking about the holy defense war, the poems related thereto are expected to feature a more epical color and odor in terms of the mindset, content, affection or even the existent images; in addition to the experiencing of a hard and tiring sociopolitical situation and paying attention to the slogan and value structures, experiencing of war features a lot of spiritual aspects for many of the poets that led to the creation of emotional and lyrical concepts in their close bond with the poet’s affection and spirits
In terms of structure and content, the holy defense poetry has undergone considerable advances during the last two decades. It was with the termination of the war that such characteristics of the holy defense poetry as being slogan-like and declaratory have become paler and regret, nostalgia and expression of the personal affections and paying more attention to the personal feelings have taken their positions as the primary indicators of the lyrical literature (Sangari, 2002)
Investigation of the lyrical literature’s themes with an emphasis on the holy defense poetry and resistance literature have not been discussed and explored the way they deserve; there is a need for more precise and more subtle criticism and analysis of them, in regard of the poems composed in the area of holy defense by three outstanding and prominent poets, namely Ali
Summary
When talking about the holy defense war, the poems related thereto are expected to feature a more epical color and odor in terms of the mindset, content, affection or even the existent images; in addition to the experiencing of a hard and tiring sociopolitical situation and paying attention to the slogan and value structures, experiencing of war features a lot of spiritual aspects for many of the poets that led to the creation of emotional and lyrical concepts in their close bond with the poet’s affection and spirits. Investigation of the lyrical literature’s themes with an emphasis on the holy defense poetry and resistance literature have not been discussed and explored the way they deserve; there is a need for more precise and more subtle criticism and analysis of them, in regard of the poems composed in the area of holy defense by three outstanding and prominent poets, namely Ali. Reza Qazveh, Ali Mo’allem and Qaisar Aminpour, for their compositions have not been investigated in respect to the lyrical indicators. Some of the most important studies related to the exploration of the lyrical literature’s indicators are pointed out below: In the extent of the researches on the Persian literature, it was (Kaka’ei, 2001) who wrote a book named “lyrical poems in Persian literature” for the first time; after him, (Moshtaghmehr & Bafekr, 2016) authored “the poetical lyrical stories” and (Ja’afari, 1999) wrote “poetical lyrical exempla”. In an article entitled “linking epic and theosophy in the poems by (Aminpour, 2009), parts of the poet’s emotional and affective spirits that are expressive of the sorrow for the homeland, nostalgia, protest and internal monologues as some indicators of the lyrical literature have been explored based on the collection of the poems by the aforesaid poet
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