Abstract
This article discusses archival and memorial work in the poetry collection Voyage of the Sable Venus by Robin Coste Lewis. I track Lewis’s experimental poetic strategies to confront and unsettle archival silences and erasures when it comes to Black female bodies in the archive of Transatlantic slavery. These strategies resonate with Christina Sharpe’s wake work and Saidiya Hartman’s discussion of an ethical engagement with the archive. By striving to individuate the figure of the Black woman in history, and by predicating memorial work on a collective engagement with the past, Lewis paves the way for a radically new articulation of Black womanhood that shatters and goes beyond the hold of the archive.
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