Abstract
Jorge de Lima’s masterpiece, Invenção de Orfeu, was misunderstoodand misjudged by some readers as Mário Faustino - who, notwithstanding, thoughtof Jorge de Lima as “the greatest name in our poetry” - and Augusto and Haroldo deCampos. The problems of the work, as signalized by Faustino and the Campos, couldbe summarized in two topics: absence of unity (orstructure) and indefinition of genre. These reproaches, however, seem to forget poet’sexplicit intention to proceed the “modernization of epic”.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
