Abstract
AbstractThis paper organizes in a systematic manner the major features of a general theory ofm-tone rows. A special case of this development is the twelve-tone row system of musical composition as introduced by Arnold Schoenberg and his Viennese school. The theory as outlined here applies to tone rows of arbitrary length, and can be applied to microtonal composition for electronic media.
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Schedule a callMore From: The Journal of the Australian Mathematical Society. Series B. Applied Mathematics
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