Abstract
Abstract This Introduction rehearses many of the key themes in the book through an examination of rhythm in Augustine’s De musica and De trinitate. In particular, it draws attention to the way Augustine avoids using the term ‘harmony’ (despite the English translations) because his attention is to the ‘interval’ between the rhythms of the created order (which is an order of love) and the divine, Trinitarian rhythm. For Augustine, this difference and yet consonance, governs the nature of written theology and the eloquence to which it must aspire. It is an eloquence in which the Word resonates within human language. The Introduction ends reflecting upon the writing of eloquent and mimetic theologies today and the attempt at such a composition that will follow in the subsequent chapters.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
