Abstract
Abstract The first section discusses definitions of the graphic sign and its typologies, and provides an overview of relevant academic literature. The second section highlights major historiographic trends in the study of graphic signs in the humanities from the early twentieth century to the present day. The next section outlines the relation of graphic signs to a wider corpus of graphic non-figurative data in the late antique Mediterranean and early medieval Europe with reference to the overarching methodological framework of visual thinking and graphic visualization and the related concept of early graphicacy, focusing particularly on the latter’s general cognitive aspects and intrinsic connection to the late antique and early medieval cultural system of visual representation. The concluding section defines the book’s subject, namely graphic signs of authority, outlines their functional usage in early medieval political culture, and summarizes the content of the following chapters.
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