Abstract
The introduction offers an overview of legal issues pertaining to James Joyce's life and work. It reviews the previous criticism on this topic and summarizes/previews the contents of the volume. These synopses become the basis of Goldman's argument that research in legal history offers new insight into the implications of narrative developments in Joyce's Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. These writings include scenes inflected by laws governing, for example, alcohol, public space, marital infidelity, and tenancy. Joyce's work can be seen as critiquing these and other legal regimes. Goldman argues that reading Joyce alongside the law supports and enriches current strategies in Joyce and modernist scholarship.
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