Abstract
Introduction| September 01 2021 Introduction: Words from the Co-Founding Editors Jay Needham, MFA; Jay Needham, MFA Search for other works by this author on: This Site PubMed Google Scholar Phylis West Johnson, PhD Phylis West Johnson, PhD Search for other works by this author on: This Site PubMed Google Scholar Resonance (2021) 2 (3): 315–318. https://doi.org/10.1525/res.2021.2.3.315 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Jay Needham, Phylis West Johnson; Introduction: Words from the Co-Founding Editors. Resonance 1 September 2021; 2 (3): 315–318. doi: https://doi.org/10.1525/res.2021.2.3.315 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentResonance Search This issue features original research that presents new and compelling sonic insights on the classical philosopher Heraclitus and an essay that advocates for an expanded discourse on sound art as a mode of sensory perception by emancipating listeners, along with research that proposes new analytic approaches for the diagramming and recasting of vocal timbres and maps in order to better understand stylistic tactics employed by artists. Also, the soundscapes of cafés are considered through an ethnographic ear in a six-plus-year study that maps the sonic management of everyday life. For our continuing special series “The Soundwork of Media Activism,” the interdisciplinary team of guest editors and authors Jen Shook, Georgia Ennis, Alex Sayf Cummings, and Josh Shepperd have edited new work that considers how activism plays the role of both liberator and guardian for social justice in new research... © 2021 by The Regents of the University of California2021 You do not currently have access to this content.
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