Abstract
Abstract This chapter outlines how sartorial extravagance might be thought of as a kind of queer worldmaking in early modern city comedy. It offers an overview of the book’s application of disability theory and new materialism to the forms of superficial embodiment and queer eroticism that extravagant clothing facilitated on the early modern stage. It argues that more flexible historical methodologies based on queer theories of temporality can move the field of early modern studies beyond the false choice between historicism and presentism. It situates the book in current scholarship on the early modern period and queer theory and previews the remaining chapters of the book.
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