Abstract
Peter Kropotkin has an unenviable reputation for being one of the foremost anarchist thinkers of the nineteenth century. Keeping company with Pierre-Joseph Proudhon, famous for adopting the epithet ‘anarchist’ to describe his political views and Mikhail Bakunin, Marx’s fiercest foe, he is also often said to be the most accessible anarchist. There are a number of reasons for this: he left a substantial body of work that gives a good account of his conception of anarchism; he published a substantial part of this work in English; and perhaps above all, he took a leading role in the propagation of anarchist ideas and exercised a profound influence on nineteenth-and twentieth-century activist movements. Pre-eminence in a political tradition is not typically disadvantageous to an individual, except where the tradition itself is outlawed. Kropotkin’s reputation as one of anarchism’s central figures and canonical writers is unenviable nevertheless, not just because his work has attracted sustained attention from critics and protagonists within and outside the anarchist movement, but also because he has assumed a representative status as an anarchist of a particular type. Probably more than any other anarchist, Kropotkin defines classical anarchism....
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