Abstract
Abstract Modernism and classical scholarship are traditionally seen as divided by an unbreachable barrier. The Introduction charts the ways in which that barrier has been criss-crossed multiple times, not just by modernist authors drawing on classical material but the other way around: by classical scholars aware of the aesthetic revolutions of modernism unfolding around them. It discusses current definitions of modernism and of the fragment, and the role of both as major interventions in the ways in which classical antiquity has been received and presented, and lays out the argument of the chapters to come.
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