Introduction

Abstract

Chapter one introduces the state of Minas Gerais as a unique cultural territory in Brazil and describes the chosen musical genres and how the book prioritizes traditionality over contemporary, global popular genres regarding regional musical identity. Discussions include indigenous populations, the gold rush and colonialism, the environment, and viewpoints shared by nativist-regionalist school of thought known as mineiridade. In addition to history and basic facts about the region, the introduction also conveys theoretical premises regarding regional identity such as “deep regionalism,” “embodiment,” and “traditionality.” This chapter summarizes theories on identity of place as expressed by twenty-first century ethnomusicologists. The book's approaches to race and racial identity are explained, as are the terms mixed-race and Afro-mineiro (black culture in Minas Gerais), with citations of scholars on race helping to frame the discussion. Part of this topic is the problematized notion of “African-derived.” The introduction ends with a chapter summary.