Abstract
This introductory essay by members of the Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey provides a quick overview of the significance of the 1967 defeat of Arab military forces by the Israeli army for the historiography of modern and contemporary Arab art. It then details a recent turn to more critical engagement with that historiographic framework, as exemplified by the 2012 conference The Longevity of Rupture: 1967 in Art and its Histories, and introduces the four articles published in ARTMargins that came out of the conference.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
