Abstract

AbstractThis introduction to the Journal of the Gilded Age and Progressive Era’s special issue, “New Approaches to Music and Sound,” provides a historical sketch of American music and the American soundscape at the turn of the twentieth century. It also offers a discussion of relevant historiography, taking stock of recent work in sound studies and its influence on research on music and sound of the period. Finally, it introduces the four research articles featured in this special issue and marks their contributions to our understandings of listening practices, normative understandings of audition and speech, and the sonic dimensions of politics and capitalism, race and national identity, imaginings of the past and visions for the future in the late nineteenth and early twentieth centuries.

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