Introduction: Les Femmes dans le Théâtre du Québec et du Canada / Women in the Theatre of Quebec and Canada

Abstract

This special issue is dedicated to the many women of Canada and Quebec who, from the very beginnings of this country, made a major contribution to its cultural life. Specifically, it is dedicated to the women who made, who taught how to make, or who helped to make theatre here. A glance through the volume will reveal, though, that it has been possible to speak of only a few of these women. In fact, the majority of their names and what they did will never be known - the Ursulines for whom theatre was a vital approach to education in early 17th century Quebec; the women in towns and outlying communities who looked after social activities and sustained the vital bonds by organizing shows, pageants and concerts in schools, churches and community halls; others, whether in amateur or professional theatres, in anglophone or francophone communities, who looked after the myriad details and tasks involving costumes, props, rehearsals, publicity, administration, which are so often overlooked and yet without which performances could not have taken place. I am reminded here as well of the many mothers or wives mentioned in the reminscences of those who were active in amateur theatre. It is claimed that these women had little interest in theatre, and yet for years they allowed their closets and cupboards to be raided for costumes and props, their homes invaded by actors and directors in search of rehearsal space, while they provided the nurturing and services necessary so the others could make theatre. With their own unique talents, and in a variety of ways women have been making and helping to make theatre throughout Canadian history and, no doubt, in every Canadian community.