Abstract
This essay suggests that emphasis on the stylistic difference between Ralph Waldo Emerson and Henry James obscures a radical kinship that exists not only in their perception of moral life but also in the way the texture of their writing expresses this perception. Accordingly, this essay is a prolegomena to a study of how James's prose—in particular the late Jamesian sentence—does what an Emerson essay does: shows the way "Our life is consentaneous and far-related," that "relation and connection are not somewhere and sometimes, but everywhere and always"; shows, in effect, the nature of moral life.
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