INTONATION-SYNTACTIC STEREOTYPE OF ZHYRAU POETRY OF THE XV-XVIII CENTURIES

Abstract

In the article, the relevance of the study is to identify intonational and stereotypical features in the poetic texts of such zhyrau as Asan Kayy, Kaztugan, Dospambet, Shalkiyz, Zhiembet, Margas, Aktamberdy, Umbetei, Bukhar, who lived in the XV-XVIII century, formed a model of oral literature, zhyrau traditions, and then showed the life of the country, the social life of the country to the next generation, adding sadness and need to the song. Also, in the research work, the specifics of oral audio oratory art, the manifestation of oral technical means in the poetic art of zhyrau and the mastery of its expression are taken as a basis to glorify the place in the traditions of the distant zhyrau. The specific features of intonation in the poetics of ravines are also analyzed and models of intonations are proposed. Based on the conducted research, genre features of zhyrau poetics are distinguished, such as commandment, blessing, dedication, appeal, praise, farewell, mourning, and curses. The main purpose of the research work is to determine what is the role of intonation in expanding the Kazakh knowledge through zhyr. As well as comparing the repeated points (stereotypes) of each zhyrau in his poems, identifying what he used for them, indicating genre features and conducting an intonational analysis. The study aims to identify the function of intonation in the poetry of zhyrau, identify the intonemes characteristic of zhyrau poetry, and propose models of intonations.