Abstract
The Conservation Department of the National Gallery of Victoria in Melbourne, Australia, contributed to four new building projects: an offsite long-term storage facility with temporary conservation facilities; a temporary display for approximately three years in a newly renovated nineteenth-century building; a new building with 21 galleries devoted exclusively to Australian art; and the complete renovation of a 1967 building to turn it into a 30-gallery building dedicated to international art. Preventive conservation principles were applied to all four buildings and the author presents a synopsis of his experience of these projects.
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