Abstract
Odd people have always been identified and often treated differently in human societies. In modern times, they have been described as being afflicted with a psychological condition to be treated by specialists and assigned to a “crazy” category by general society. Movies about such odd people have a long history. A recent movie, Silver Linings Playbook, presents a picture of mental patients displaying symptoms, but accepted into their home community. A pair of them shows the beginnings of a subcultural community among “odd people,” a version that has not been seen before.
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