Abstract
AbstractThis article discusses theatrical approaches to the Norwegian terror attacks on 22 July 2011, in the context of a global digital screen culture. By engaging in a close reading of two of the earliest theatrical articulations on the 22 July emergency, the author examines how specific aesthetic strategies relate to the on-going cultural trauma process. The article shows how the stage-blog-project
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have