Abstract
‘What do we see when we look at ourselves?’ asked South African visual activist/artist Zanele Muholi in her 2006 photographic collection Only Half the Picture. The question, a deeply challenging introspection, required black women in particular to reflect on the ways in which history has made us not look at ourselves, but be looked at. The images Muholi presented were viewed as both troubling and liberating. This article, using a queer framework, is concerned with recoding the ways in which black women's bodies and female sexuality have been represented in post-colonial contexts. Using Zanele Muholi's photography, the article opens possibilities for claiming an erotic position for the black female's ‘queer’ body. This is further complicated by racial dynamics. The article argues that such representations work against painful colonial histories of black female torture while also desexualizing the black female.
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