Abstract
Abstract In late December 2014, the artist Tania Bruguera was arrested after attempting to carry out an unsanctioned performance centred on freedom of speech in Revolution Square, Havana, Cuba. She was released after three days but held in the country indefinitely until a decision regarding legal action by the government was determined. In the weeks and months that followed, Bruguera dealt with legal issues and additional arrests, diplomatic contestations surrounding her confiscated passport, along with interrogations and intimidation by the Cuban government. It was not until July 2015 that her passport was returned. In mid-August, with a letter securing her diplomatic status as a Cuban citizen in hand, she returned to the United States. Due to her detention, Bruguera participated remotely as a speaker at the College Art Association session, The Ethics of Social Practice, reading a paper through a cellphone on Arte Útil and Aest-ethics (taken, along with other belongings by the Cuban authorities). I invited her to revisit her position on ethics and Arte Útil, and her work generally, in the form of an interview for this journal, to which she graciously agreed.
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