Abstract
Swedish baritone Hakan Hagegard has had an extraordinary international career performing in opera, oratorio, and recitals. While his signature role may have been that of Papageno, in Ingmar Bergman’s famous film of The Magic Flute, Mr. Hagegard is equally at home and adept with contemporary repertoire. He is also widely known and respected for his interest in developing ways to help other artists survive the rigors of performance. An integral part of this was the building of an artists retreat and meeting place, HageGarden, in rural Sweden. Editor Alice Brandfonbrener, who is a friend of Hakan Hagegard, recently conducted this interview with the singer long distance with the help of e-mail.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
