Abstract

Boreth Ly’s latest book is Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide. This is a complex book, to say the least. It is not the type of book just anyone could write. Ly explores how the artistic practices of contemporary Cambodian artists at home and in the diaspora—including installation artists, painters, photographers, filmmakers, poets, and court dancers—give voice to a culturally specific understanding of trauma and how they found ways to live after the civil war, US secret bombings, and Khmer Rouge genocide. Her background, experiences, and intellectual fortitude make her uniquely capable of formulating discreet and meaningful connections across different art forms and objects. We admire the way Ly can intellectualize and theorize but not erase the emotional anguish that grounds the creation of these works of art. She is not afraid of her humanity. Moreover, she is not afraid to make it personal.

Highlights

  • Interview with Boreth Ly on Her New Book, Traces of Trauma Boreth Ly, Catherine Ries, Michelle Yee, and Christina Ayson Plank

  • Professor Boreth explores how the artistic practices of contemporary Cambodian artists at home and in the diaspora—including installation artists, painters, photographers, filmmakers, poets, and court dancers—give voice to a culturally specific understanding of trauma and how they found ways to live after the civil war, US secret bombings, and Khmer Rouge genocide

  • We admire the way Professor Boreth can intellectualize and theorize but not erase the emotional anguish that grounds the creation of these works of art

Read more

Summary

Introduction

Interview with Boreth Ly on Her New Book, Traces of Trauma Boreth Ly, Catherine Ries, Michelle Yee, and Christina Ayson Plank. Boreth Ly’s latest book is Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide (Honolulu: University of Hawai‘i Press, 2020.) This is a complex book, to say the least. Professor Boreth explores how the artistic practices of contemporary Cambodian artists at home and in the diaspora—including installation artists, painters, photographers, filmmakers, poets, and court dancers—give voice to a culturally specific understanding of trauma and how they found ways to live after the civil war, US secret bombings, and Khmer Rouge genocide.

Results
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.