Abstract

This article recalls an important episode in the history of Jasenovac Memorial Museum (JMM). It traces the formative process through which the United States Holocaust Memorial Museum (USHMM) and US Department of State intervened to retrieve the Jasenovac collection from Banja Luka in 2000, acted as its temporary guardian until returning it to Croatia in 2001, and continued to assist JMM with its creation of a new permanent exhibition. Situating this moment in the site's history at the intersection of Yugoslavia's dissolution and aftermath, the end of the Cold War and changes to US cultural policy, and the opening of the USHMM, this article analyses how these institutions and associated actors negotiated each other's interests and frameworks. It challenges the notion that museums are strict sites of political hegemony. It shows instead how interactions in and between museums unsettle and reconfigure the local and global power systems that surround us.

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