Abstract
The dialogical principle of communicational objects draws our attention to intertextuality: the dialogue between texts. In comics, intertextuality is combined with the resources of a hybrid language: the verbal discourse, the technique or tool used, the imagery style and the page layout contribute to expanding the meanings of the adapted text. Given the possibilities of the language of comics, questions arise: which are the intertexts of the source works and how do adaptations use the language of comics to show them and include others, as every adaptation is a new work? For this investigation, we propose the analysis of two Brazilian comics: Auto da Barca do Inferno (2011) and Luzia (2021). In our theoretical-methodological journey, we work with notions of dialogism, intertextuality, and adaptation. We also consider the particular parameters of comics. From the analysis, we intend to understand how intertextuality is used in these adaptations.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
