Intertextuality in a novelistic plot of the movie «Simone» of Andrew Niccol

Abstract

In this article is made an attempt to realize intertextual potential and the corresponding game strategy forming a literature centrality originality of the movie «Simone» of Andrew Niccol. According to the declared concept has been defined during the analysis a number of key positions. In the film are revealed various intertextual sendings. Have been comprehended a simulacrum in Simone's nature and factors of virtual reality. Manifestations of tricksters and faustian spirit are analysed in the hero of the movie – Victor Taransky.Addressing interpretation of the movie "Simone" (2002) of Andrew Niccol, it should be noted that the intertextuality setting a literature centrality to a movie plot, expands a genre framework and fills the film text with various meanings. Dialogue of cinema with ample opportunities of computer space promotes remoteness from realness, at the same time factual reflects present reception, her mythologization and an originality of existence in this framework of culture.The special role of Victor Taransky as intermediary highlights the tricksters beginning in the hero. In the western culture on an equal basis with trickster there is Faust, at the same time similar and other than him, who symbolizes special type of spirit of the person and culture. During the research identification of the simulacrum and intertextual nature of the heroine allows to digest the fact of a mythologization of attitude of epochal crisis. It is obvious anecdotally of a plot of the movie about love of the uncountable audience for the nonexistent actress that on process passes into a mode of a parable.