Intertextual questions analysis in composer’s creative activity, sound symbols in contemporary musical thinking

Abstract

The represented research - “İntertextual questions analysis in composer’s creative activity, sound symbols in contemporary musical thinking” - is devoted one of the leading and original peculiarities contemporary music first summarized research. The research gives author’s style systematic observing offering, its universal phenomenas, language conformities and composer’s technique principals. Composers musical creations represented in contemporary music culture wide context for the first time are examined in composer’s thinking leading categories aspect in the article. On represented theme study, big attention is allocated to musical analysis new methods and also new theory study, directed towards composer’s creations artistic content and mode contemporary comprehension, intertextual questions analysis in composer’s creative activity, sound symbols in contemporary musical thinking. Examples of multi-layered “open texts” in the Azerbaijani musical experience have been in focus in the works of Azerbaijani composers Uzeyir Hajibeyli and Khayyam Mirzazadeh. These examples are interesting in terms of intertextual principles and various experiments that lead to different compositional structures. In the article, cryptogram problems created on behalf of composers such as J. S Bach, Robert Schumann, Dmitriy Shostakovich, Alban Berg, Edison Denisov, Khayyam Mirzazadeh were examined. Quotations, anagrams, paraphrases used in composers’ music has been investigated. This article was devoted to the sound (audio) symbol in modern musical thinking. Conception of code, widely used in semiotics, in linguistics, culturology, genetics, mathematics haven’t found yet its place in terminological system of science of music. The author of the article reveals individual musical conceptions on the base of interesting samples, directing attention to different experiments, which opens way to the intertext concepts.