Abstract
Abstract Should transpositions between language and other sign systems be considered a kind of translation? The answer could be yes if the comparison is made to interlingual translating that features a high degree of variance. Here, however, the question will be whether there are any kinds of intersemiotic transposition that feature a high degree of invariance. Four criteria are suggested for defining invariance-oriented translation, and a variety of possible instances of invariant intersemiotic translation are considered, with special mention of transpositions to and from music.
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