Abstract
The purpose of this issue is to explore the encounter between Italy and Central, Eastern and Southeastern Europe and Russia during and after the Soviet period, as well as the fervid cooperation and fruitful co-productions between the film industries in this vast geographic region. More specifically, this Special Issue covers the following topics: the reception of neorealist films in Slavic countries and the influence of neorealism in Slavic cinema, the links between Italian political cinema and Slavic media, the presence of popular Italian genres of television shows and series in these geographical areas, transnational stardom in cinema and television, co-productions and their adaptation to the needs of national film and television markets, Soviet–Italian film institutional exchanges and co-productions and Italian film festivals in Russia and Italy.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
