Abstract
The purpose of this issue is to explore the encounter between Italy and Central, Eastern and Southeastern Europe and Russia during and after the Soviet period, as well as the fervid cooperation and fruitful co-productions between the film industries in this vast geographic region. More specifically, this Special Issue covers the following topics: the reception of neorealist films in Slavic countries and the influence of neorealism in Slavic cinema, the links between Italian political cinema and Slavic media, the presence of popular Italian genres of television shows and series in these geographical areas, transnational stardom in cinema and television, co-productions and their adaptation to the needs of national film and television markets, Soviet–Italian film institutional exchanges and co-productions and Italian film festivals in Russia and Italy.
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