Abstract
ABSTRACTThe bucranium (bull's head and horns) has been recognized as the most prevalent three-dimensional art form found during the excavations of the Neolithic village of Çatalhöyük in central Turkey. James Mellaart interpreted it as the symbol of the son and lover of the Great Mother Goddess, worshipped at Çatalhöyük. Extending this interpretation, Dorothy Cameron, friend and colleague of Mellaart, saw the bucranium as a symbol of life and regeneration—essentially a female symbol, representing the divine power of the human female reproductive system. Using archaeological evidence, and interpretations arising from the current excavations at Çatalhöyük, parallel examples from comparative religion, and supportive data from veterinary images, this paper explicates and challenges these theories, extending them into an alternative interpretation of the symbolism of the bucranium.
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