Abstract

Introduction: Nicholas Grene, on the margins: Synge and Wicklow R.F.Foster, good behaviour: Yeats, Synge and Anglo-Irish etiquette Frank McGuinness, John Millington Synge and the King of Norway Angela Bourke, Keening as theatre Tom Pualin, riders to the sea: a revisionist tragedy Antionette Quinn, staging the Irish peasant woman: Maud Gonne v. Synge Christopher Morash, all playboys now: the audience and the riot Martin Hilsky, re-imagining Synge's language: the Czech experience Declan Kiberd, the making and unmaking of myth: Synge as anthropologist Anthony Roche, Synge: the woman and the tramp Ann Saddlemyer, Synge's soundscape

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