Interpretative aspect of C. Saint‑Saëns’s piano music

O.M Klendiy

doi:10.34064/khnum1-56.09

Abstract

Interpretative aspect of C. Saint‑Saëns’s piano music

Highlights

■ Background, the objective of the research
138 2020 ■ Вип. 56 ■ Проблеми взаємодії мистецтва, педагогіки та теорії і практики освіти methods that emphasize the importance of the piano work of a unique French artist for modern generations of performers
Saint‐Saëns’s performance career (1921), his own works made the basis of his concert programs

Summary

Introduction

Saint-Saëns’s repertoire, four performance preferences have been distinguished: 1) interest in the works of Baroque composers and French national culture of pre‐classical period; 2) returning to Viennese classicists as the basis of a pianist’s concert repertoire in the new historical era; 3) having romanticists’ works serving as the example of modern performer’s repertoire in the second half of the 19th century; 4) producing his own music pieces and transcriptions. Сен‐Санса; 2) окреслити панораму найбільш виконуваних в наш час творів митця для фортепіано solo (зокрема, циклів). Сен‐Санса (1921 р.) основу його концертних програм становили власні твори, рідше – твори композиторів-сучасників.

Results

Conclusion