Abstract

The meaning of the mysterious dialogue between the poet and the Muse in the final part of the poem is revealed in the process of consistent reading. It should be noted that in the human and natural world, the separation of darkness and light, sleep and wakefulness, idle life and devotion, is reflected in the poets preference for his Muse to earthly honors, youth and independence. This brings together two poets from different historical epochs in the finale of the poem: the poet who lives now, like the Renaissance poet, continues to serve the Muse. The Muse in this poem has a human-like appearance, body, voice and look. This visual detail of the image of the Muse is important for the poetic persona and the reader because it transforms something important and sublime into an intimate, personal dimension. The personal communication plane is marked by the stylistic opposition of laurels and dear. Her attribute (ὐό) corresponds more to Pan than to Apollo-citharoedus. Therefore, the natural state of the world here is not hostile, but representative of human life. In the course of the study, it turns out that the reference to the Divine Comedy is supported not only by the obvious mention of Dante in the finale, but also in the very first stanza.

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