Abstract
The aims of this study is to describe the heuristic and hermeunitic interpretations, matrices and models, hypograms, and indirectness of expression contained in the lyrics of "Teary Eyed Tears" by Rubah Di Selatan, which is the original soundtrack of the independent film Portrait Canal Yoshiro. This investigation employs a descriptive method. Using Riffaterre's semiotic theory, the results demonstrate a) heuristic and hermeunitic readings, b) matrices and models, c) actual and potential hypograms, and 4) the indirectness of expression in the lyrics of the song "Teary Eyed Tears" by Rubah Di Selatan, which is the original soundtrack in the independent film Yushiro Canal Portrait.
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