Abstract
The article is devoted to the analysis of the stylistic role in intraliterary synthesis which is represented in the story “Love and Cybernetics’’ by S. Georgievskaya. The author of the article shows how as a result of synthesis is organically merged with prosaic content, on the one hand, and content organized according to the principles of lyrical poetry, on the other. The lyration of the prose by S. Georgievskaya is facilitated by the author’s appeal to the possibilities of artistic synthesis. The poetry world of S. Georgievskaya is characterized by a kind of interpenetrability of diff erent genre structures, in a number of which one of the essential places belongs to fairy tale modality. The appeal to the genre canon of the fairy tale reveals the mythopoetic foundations of her lyrical thinking, susceptibility to archetypical images-symbols. The author of the article notes that the story sees the features of a dramatic kind of literature: the emphasis is primarily on action, external and internal-spiritual, and hence - some artifi cial note of what is happening. The author of the article comes to the conclusion that S. Georgievskaya successfully manages to use intraliterary synthesis which is refl ected the plot, composition, the choice of characters, the sequence of motifs and themes.
Highlights
Статья посвящена анализу стилеобразующей роли явлений внутрилитературного синтеза в повести С
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Художественный и внутрилитературный синтез в развитии русской прозы для детей и юношества 50–80-х гг
Summary
Статья посвящена анализу стилеобразующей роли явлений внутрилитературного синтеза в повести С. Как в результате синтеза в повести органически слились прозаическая оболочка, с одной стороны, и содержание, развертываемое по принципам лирической поэзии, с другой. Георгиевской возможности внутрилитературного синтеза, о чем свидетельствует весь ассоциативный строй повести, ее композиция, система персонажей, совокупность мотивов и тем. Стиль прозы Георгиевской – своеобразная эмблема времени, важными характеристиками которого являются художественный и внутрилитературный синтез [7], стилизация, присутствие лирико-философского плана в произведении.
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