Intermediate forms of musical art and new information technologies

Abstract

The development of technology at the turn of the 20th century draws attention to the issues of connecting art with scientifi c achievements in the fi eld of acoustics, artifi cial intelligence, electronics, and sonorics. In the modern era, with the intensive development of science and technology, unexpected synthetic forms of combining genres are quite possible. The use of computer technology enriches the sound of the orchestra's acoustic instruments, exerting a strong psychoacoustic eff ect on the audience. Changing ideas about timbral sound and the desire to hear new intonations in the aesthetics of the 21st century expand the boundaries of the very concept of musical sound. The computer age has created a new aesthetic paradigm, which is based on the synthesis of technology and art. Modern ideas and experiments have created a sound space where acoustic tonal sounds, electronic sound timbres, and noises without a tonal basis coexist. Therefore, the boundaries of musical space in the sound fi eld also become very unstable and uncertain, and modern possibilities of theatricalization and visualization make the external boundaries of musical art even more unstable. Such genre fl exibility of boundaries is clearly manifested in the work of many modern composers. The materials of the article can be used in the educational process in areas of training related to the art of music.