Abstract

Drawing on the premises of avant-garde cinema (experimentation, transformation, liminality), this paper seeks to examine how intermediality functions as a form of experimentation in contemporary avant-garde cinema. It also bring new insights regarding the nature of the medium and the impact on the spectator. Examples will be drawn from Jean-Luc Godard’s films First Name: Carmen (1983) and Film Socialisme (2010).

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call