Abstract
This paper presents a scientific analysis of interior design in the restoration process of the National Museum of Arts of Moldova. The interior design segment is historically researched through the genre of architecture, from the historical compartment of the XIX-XX century. In the same context, several works of various architects who designed important constructions in Kishinev are analyzed. The study highlights the role and responsibility of interior design in the process of restoration and capitalization of the national cultural heritage. It also analyzes the correspondence or synchronization of new implementations in design with the stylistic concept achieved in the historical period.
Highlights
The National Museum of Plastic Arts of Moldova is an architectural symbol of major importance for national culture and art
This paper presents a scientific analysis of interior design in the restoration process of the National Museum of Arts of Moldova
Respecting the historical reminiscences of the interior: eclectic ornamentation, baroque medallions, columns, Greek meanders, Art Nouveau chandeliers, etc., the contemporary architect involves in a very subtle way some postmodern solutions. These can be seen in the constructive decisions of the stairs, the materials used to complete them, the construction on the second level of the headquarters, etc., which bring an imprint of the current time in combination or complementing the historical values of the national heritage (Figure 5 (c))
Summary
The National Museum of Plastic Arts of Moldova is an architectural symbol of major importance for national culture and art. The Museum Building (hereinafter NMPAM) is a historical monument of national heritage, remarkable both for the architectural character of its construction and for its contribution to the artistic atmosphere in the country. The current Museum has a very interesting history: “the urban mansion hosted the girls' high school of Princess Dadiani, built in 1901 according to the plans of the architect Alexandru Bernardazzi, and in Soviet times, it had several functionalities, because, in the end , after the abolition of the museum of the communist party, to become the main headquarters of NMPAM ”[1]
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