Abstract
Some approaches in the work of composer Jerry Hunt to a system of electronic interactive performance are described; a general survey (1) of the memory, content-context models and response-interactive mechanisms employed in the works Haramand Plane and Ground is followed by a description (2) of the principal components of the memory models, retrieval structure and control mechanisms used in the performance and interactive installation systems Birome (Zone): Cube, Birome (Zone): Plane and Birome (Zone): Plane [frame]; a closing section (3) describes the general technical procedures and mechanism requirements for his work.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
