Integrity and Realism: Assessing John Milbank's Theology

Abstract

On the acknowledgements page of Theology and Social Theory John Milbank thanks, rather abruptly, ‘Rowan Williams, who taught me theology’. No other teacher is recognised. The formal teaching was at Westcott House, Cambridge, in the mid-70s; but there is evidence enough that the current Archbishop of Canterbury has been an abiding influence on the whole of John Milbank’s theological career. In the crowded Metro of Milbank’s footnotes, it is rare to see a face more than once; but Williams appears five times in The Word Made Strange, speaking variously of Barth, Arius, Lossky and Gregory of Nyssa. And often, Milbank’s ideas seem closely related to those of his teacher. The concept of poesis in Milbank’s ‘A Critique of the Theology of Right’ (1989) - ‘the ceaseless re-narrating and ‘explaining’ of human history’, a self-exceeding act — is clearly the twin of Williams’ ‘generative revelation’ — ‘events or transactions in our language that break existing frames of reference and initiate new possibilities of life’ — in his essay ‘Trinity and Revelation’ (1986). But this example serves not just as a demonstration of Williams’ influence on Milbank; it also shows how Milbank overtakes his teacher, tackling on a grand scale ideas that are in Williams rather tentative. For Milbank, the idea that somehow Christian experience generates its own momentum of truth contributes to the overthrow of Kantian transcendentalism; for Williams, the same sort of idea provides ‘a way of thinking’ about the Spirit’s work in the church. Milbank’s theological ambition seems much greater than Williams’.