Abstract
ABSTRACT In this paper we elaborate a conception of what we call integrational creativity, which aims both to capture the richest kinds of human creativity and to bring together certain existing conceptions of creativity in a way that we hope will resonate with what people have had in mind in talking of creativity. These conceptions are those offered by Arthur Koestler, Margaret Boden, and two conceptual blending theorists, Gilles Fauconnier and Mark Turner; and we show how these conceptions and the criticisms that have been made of them can be accommodated within our integrational account. We also argue, drawing on the work of Immanuel Kant and Hartmut Rosa, that the integrating character of creativity is complemented by the resonating character of its appreciation. On our view, the heart of creativity lies in its integrating–resonating structure, and in the final part we note some of the implications for recent debates about creativity.
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