Abstract
Narrative strategies in prime-time television drama do more than dodge commercials and provide fast-paced vehicles charismatic performers. Most prime-time shows draw on institutional settings or hierarchies, furthering the romance of highly motivated professional activity and lending irony to the world outside a task-oriented community. The police procedural on television, particularly in the Hill Street Blues series, establishes an atmosphere of accounting for disruptions featured in narratives much as does detective fiction. But while detective
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