Abstract
Masking is an institution in Igbo land that is held accountable for the power of justice, and it was a men’s affair and strictly by initiation. They perform in most festivals as well as play a major role in issues of governance, social control, and maintenance of peace and order. To the Igbos, the production of the mask is as vital as the mask itself. The choice of the color, pigment, fabrics, wood, and raffia that will suit the occasion is determined by the artist. This often takes time and creativity, as special motifs are selected by the artist to make a statement and portray each masquerade according to the spirit that they represent. Traditionally masqueraders seldom perform alone; it was usually teamwork that consists of instrumentalists, vocalists, dancers, advisers, and the masquerade itself. The masquerade attire comprises of fabric, raffia, and the wooden mask that is worn over the face.
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